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Photoshop Creative Magazine Issue 90 2012

Photoshop Creative Magazine Issue 90 2012

Photoshop Creative Issue 90 2012
Free Magazine
Photoshop Creative Issue 90 2012
English | 116 pages | PDF | 12 Mb

Advanced Photoshop magazine is packed full of expert advice for mastering professional Photoshop skills. Each edition has in-depth tutorials inspired by the latest commercial trends covering all the key Photoshop skills, from digital painting and photomanipulation, to graphical illustration and typographical effects. The magazine also has inspirational interviews with some of the biggest names in the creative world, a tailored Photoshop Helpdesk, and features looking in more detail at industry skills and services. Every issue comes with a free CD, which contains files to aid you with that issue’s workshops, as well as free resources, video tutorials and wallpapers.

If you want to understand how Photoshop works and how to use it to create amazing images, you need Photoshop Creative. Each issue has 116 pages full of practical advice and inspiring tutorials to enable you to make the images you've always wanted. Want to improve your photos? Each issue has loads of image-editing tutorials that range from simple fixes through to more intense techniques. Want to flex your creativity? You'll find loads of ideas for how to transform your photos into something marvellous, whether it's a scrapbook, a photomontage or a piece of digital art. Now add in some tool guides, Photoshop Elements tutorials, interviews with amazing Photoshop artists, Q&A pages, product reviews and a disc full of video training and other resources, and you can see why Photoshop Creative is the only resource you will ever need.

In This Issue

Learn to love layers

Turn photos into art
- Give your family photos a Photoshop treatment to remember.

Layers explained
- Our special feature uncovers one of Photoshop's most important features.

Pen tool pro
- Get to grips with the tool with the bad reputation and discover how easy (and useful) it actually is!

Hold the front page
- Get creative with photos and make imaginative montages.


Also inside
- A selection of our talented readers' artwork
- Get creative with your own custom brushes
- Soft-focus effect
- Give images an atmospheric boost of drama
- Clever tricks to turn your photos into stamps
- Pinhole effect
- CS6 series continues with a look at the Crop tool
- Artist Gogo Melone shows us how she created her image
- Read our expert opinions on the latest Photoshop-related products
- Brighten your photos with this five-minute fix
- 10 expert tricks you can't live without
- Your Photoshop and Elements questions answered
- Artist Nicolle Rager Fuller on how she swapped a PhD for Photoshop!
- Create dazzling retro effects
- Understand the Sharpen filters
- Become an expert with the Clone stamp
- See what's under the Window menu
- Learn to love your Color palette
- Get creative with type

Free with this issue
- 10 expert videos on achieving traditional photo effects
- Learn to use Adobe Illustrator (part 1)
- 120 creative brush tips
- Textures
- Stock photos
- Other essential resources

Webpage: https://www.imagineshop.co.uk/magazines/photoshopcreative/photoshopr-creative-issue-90.html
Download: Click Here




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CG Academy 3Ds Max Modelling Fundamental 4

CG Academy 3Ds Max Modelling Fundamental 4

CG Academy 3Ds Max Modelling Fundamental 4
CG Academy 3Ds Max Modelling Fundamental 4
Sub D's & Combined Techniques
DVD 6 3Ds Max | 6 Hours, 38 Minutes | 3,37 GB

You really can't get any more fundamental a need in most CG productions than Modelling. Whether it be an accurate model of a new building design, a mechanical model of a vehicle or prop, to a fantasy creature or photo real human model. Most productions will need models to fill the on screen roles needed to tell their narative.
Our series of modelling DVDs will build your skills both in mechanical and natural modelling realms with titles that cover this broad topic at every level. Also we will look at taking your models one stage further with procedural techniques that can make your models become tools in their own right to further speed up your modelling processes.


Content :
Chapter 01: Sub-D Modelling, A History
First we look at how the current implementation of Sub-D modelling came about as a reaction to some of the short-comings of NURBS modelling.

Chapter 02: A NURBS Like Surface
To understand current Sub-Ds, we have to understand NURBS. Here Chris gives you a brief introduction to the anatomy and features of NURBS.

Chapter 03: The Sub-D Surface, Polygon Types
Quad polygons give the best results when working with Sub-Ds, but why? Here Chris explains.

Chapter 04: Controlling Curvature
We now explore a key concept of Sub-Ds, in how you control the curvature of the surface via the proximity of it control points.

Chapter 05: How To Create
We know what they are, and how to control their form. But how do we create these surfaces in the first place?

Chapter 06: The MeshSmooth Modifier
We take an in-depth look here at how the most comprehensive smoothing system works.

Chapter 07: TurboSmooth & NURMS Smoothing
Having mastered the intricacies of the MeshSmooth Modifier, we take a look at the more pared down TurboSmooth and the built in NURMS smoothing in the E-Poly mesh type.

Chapter 08: Editable Poly - Edges
Now Chris takes us through how we can effectively select and model using the E-Polys Edge sub objects.

Chapter 09: Editable Poly - Vertices
And we continue with a similar look at how we can do the same with an E-Polys Vertices.

Chapter 10: Editable Poly - Polygons & Borders
And we complete this section by looking at how we can use the E-Polys Polygon and Border modelling tools.

Chapter 11: Modelling The Cart - Running Boards
Now we return to our series wide modelling project, the go-cart. We make a start here by modelling its running boards using Sub-Ds.

Chapter 12: Modelling The Cart - The Mudguards
We continue modelling by tackling the mudguards using Sub-Ds.

Chapter 13: Modelling The Cart - Hood & Seat
And now Chris shows us how we can model the carts hood and its drivers seat.

Chapter 14: Modelling The Cart - The Drive Cog
And we complete this section by modelling the carts drive cog, which we started in the previous DVD.

Chapter 15: E-Poly & Shell Modifiers
Now we look at how we can use the Sub-D tools and the Shell Modifier to enhance elements we created earlier in this series and this DVD.

Chapter 15: Optimized Smoothing
The smoothing inherent in the Sub-D surface can bog down viewport performance if not handled with care. Here Chris show how to optimize this area.

Chapter 15: Procedural Modelling
Procedural modelling is a workflow that effects all of the areas covered in this series. Here Chris demonstrates what Proceduralism offers.

Homepage: http://www.cg-academy.net
Download: Click Here




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Adobe Photoshop Lightroom 3 Streamlining Your Digital Photography Process

Adobe Photoshop Lightroom 3 Streamlining Your Digital Photography Process

Adobe Photoshop Lightroom 3 Streamlining Your Digital Photography Process
Free Download
Adobe Photoshop Lightroom 3 Streamlining Your Digital Photography Process
Wiley | Jul 2010 ISBN 047060705X


Book Description:

"I’ve worked my entire adult life in digital imaging, from managing high-volume production departments to running my own photography and printing businesses. And for many years, I’ve been teaching photographers how to be self-sufficient when it comes to working with their digital images.

Having used all major image editing software released over the past twenty years, I now choose to use Lightroom because it allows me to work quickly, helps me deal with large numbers of images and lets me get back to enjoying the creative aspects of photography.

From my experience, I know how hard it can be to learn new ways of doing things–especially computer stuff. Unfortunately for a lot of photographers, struggling with digital processing can take the fun out of photography. Trying to figure out the intricacies of file formats, resolution, color management, etc., and even simply where to put all the files can be daunting tasks. Worse yet, sometimes it’s hard just to know the right steps to get the best quality from a single photo!

It’s my mission to ease your pain; to show you that you really can be in control of your entire imaging process, and help you develop a personalized workflow that fits your style and needs. My students frequently tell me how liberating this is: to comfortably handle all the files coming off the camera and residing on hard disks, to work methodically through a known sequence of steps and to produce finished pictures that you’re proud to show other people. This is at the heart of the photographer’s experience, and I want you to know this sense of confidence and capability.

I’ve taught large groups and individual photographers alike. Over the years I’ve learned where people get stuck. I understand the pitfalls new users face when first starting to use Lightroom as well as the concerns of more experienced users looking for ways to tweak their workflow for better performance. I want to help you overcome these challenges.

My goal for this book is to teach you to effectively use Lightroom 3 as quickly and easily as possible. My writing has been heavily influenced by my experiences working with clients and students, and I’ve approached the content of this book as I would tutor someone in a one-on-one training session. The order in which concepts are presented and the emphasis I give to certain aspects of the workflow are unique among books of its kind.

We’ll start by reviewing some important, basic principles, such as working with Lightroom catalogs, the Lightroom workflow, color management, and an introduction to Lightroom 3’s updated tools and screen interface. From there, we jump right in to importing images into Lightroom. This is followed by a step-by-step editing tutorial that will make your work much easier. Then we move on to in-depth explanations of how to perfect each photo for tone, color, contrast, sharpness and much more. After a detailed look at exporting images out of Lightroom, the next three chapters deal with presenting your work to others with prints, Web sites and slideshows. Finally, we’ll wrap up with an in-depth look at advanced techniques for integrating Lightroom with other software.

The material presented in this book is appropriate for digital photographers working in all disciplines, at all skill levels. The information and tutorials are applicable to every kind of photography: from weddings and portraits to fine art landscape work, everyone can learn to streamline their digital photography process using Lightroom 3."
Nat Coalson
Conifer, CO
2010 

Ten Lightroom 3 Tips for from Author Nat Coalson

Whether you’re new to Lightroom or have been using it for a while, my new book, Lightroom 3: Streamlining your Digital Photography Process can help you master the tools, techniques and workflows to get the most from your photography with the least amount of effort. Below are some of my top tips for a solid foundation in Lightroom, all of which are covered in more detail in the book:

Top 5 tips if you’re new to Lightroom 

Lightroom uses a database, called a catalog, to manage your image files. When you import photos into Lightroom, the image files are not stored in the catalog. Lightroom simply references theoriginal files on your hard drive and creates links to them within the catalog. (However, all the work you do to photos is stored within the catalog.)

If you need to move, rename or delete photos after importing them into Lightroom, do it from within Lightroom (not using the Mac Finder or Windows Explorer). This ensures that the links in the Lightroom catalog will remain up-to-date with the actual files on the hard drive.

Break down your workflow into distinct tasks: import, edit, Develop, export, etc. Following a consistent sequence of steps will make your work go much quicker.

Lightroom provides loads of time-saving features to automate and speed up your workflow. Most important are presets and templates. Generally speaking, presets store settings and templates store formatted layouts. Get in the habit of setting up your own presets and templates for any settings that you will use frequently.

Be sure to make frequent backups of your Lightroom catalog and image files; ideally, after every work session. (You will most likely only need to keep the most recent couple of catalog backups.)
Top 5 tips if you’ve been using Lightroom for a while 

The Import process has been entirely revamped and streamlined in Lightroom 3. The new Import window provides more functionality and is easier to navigate. Maybe most importantly, you can now save Import presets! If you perform many imports using the same settings, this will dramatically speed up your import workflow.

The processing in Lightroom 3 is built around a new Process Version, which offers notably better image quality and speed when working with your photos. New photos imported into Lightroom 3 will automatically use the new Process Version (2010). Photos already in the catalog will retain their original Process Version (2003). You can update older photos to use the new Process Version, which will allow you to extract even better quality from those photos. After updating photos to the new Process Version you will likely need to go back and fine tune the Develop settings for those files (especially sharpening).

Lightroom 3 offers new and improved sharpening algorithms with a greater degree of control. One important point to note is that the Amount adjustment generally applies stronger sharpening than in previous versions, so now, you probably will use lower values for Amount.

Lightroom 3’s updated Noise Reduction (NR) controls are also vastly improved over previous versions; so much that you may no longer need any specialized NR software for the majority of your photos. Luminance noise reduction, in particular, lets you apply much stronger reduction amounts without adversely affecting important image detail.

If you’ve saved Develop presets using adjustments for sharpening, noise reduction and vignetting you should revisit those settings and consider making a new preset based on the changes in the new Process Version.

Buy Now: http://www.amazon.com/Lightroom-Streamlining-Digital-Photography-Process/dp/047060705X
Download: Click Here
Pasword : Paceko

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Photoshop Creative Magazine Issue 89 2012

Photoshop Creative Magazine Issue 89 2012

Photoshop Creative Magazine Issue 89 2012
Free Magazine
Photoshop Creative – Issue 89, 2012
English | 116 pages | PDF | 90.50 Mb

Photoshop Creative is the perfect magazine for learning more about Adobe’s outstanding application. Each issue is packed with inspirational tutorials covering the whole scope of the software, from creative projects, to practical guides to using tools and techniques. Whatever you use Photoshop for, Photoshop creative will help you become a better digital artist.

Description:
If you want to understand how Photoshop works and how to use it to create amazing images, you need Photoshop Creative. Each issue has 116 pages full of practical advice and inspiring tutorials to enable you to make the images you've always wanted. Want to improve your photos? Each issue has loads of image-editing tutorials that range from simple fixes through to more intense techniques. Want to flex your creativity? You'll find loads of ideas for how to transform your photos into something marvellous, whether it's a scrapbook, a photomontage or a piece of digital art. Now add in some tool guides, Photoshop Elements tutorials, interviews with amazing Photoshop artists, Q&A pages, product reviews and a disc full of video training and other resources, and you can see why Photoshop Creative is the only resource you will ever need. 

In This Issue ...
101 essential expert tips
- Be creative with these unmissable expert tips. 

Paint like a pro
- An easy-to-follow guide to turn your photos into oil paintings.

Amazing abstracts
- Make a spectacular wallpaper to fit your computer, tablet or mobile.

16-page Photoshop for Beginner's section
- Our beginner's guide to Photoshop and Elements continues.

Also inside...
- Our talented readers show off their artwork
- Depth of field in 3 easy steps
- Revamp your portraits with special FX
- Master the out-of-bounds effect 
- 5 ways to get clever with text
- Conquer channels to create realistic scenes 
- Make a jigsaw out of your photographs
- Top tips to increase Photoshop efficiency 
- Make photo magic with eye-catching results
- Add a sunset to your photos 
- Use Elements to make an artistic abstract
- Achieve the photo within a photo effect 
- Interview with an expert
- Get to grips with layer styles
- Pen tool magic
- Use Curves to get contrast
- Straighten uneven horizons
- Explore the Render filters
- Become an expert with brushes
- The View menu explained
- The Color palette
- Paint from photos
- Latest creative products reviewed
- Q&A for Photoshop and Elements

Free with this issue...
- Pen tool video special
- Over 150 brushes
- Textures
- Stock photos
- Other essential resources

Webpage: https://www.imagineshop.co.uk/magazines/photoshopcreative/photoshopr-creative-issue-89.html
Price: $6.00
Download: Click Here


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